Manhearted ™
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We pull our punches, don't we? On things about which good people disagree, we avoid ruffling feathers. We treat preferences as either causeless and unaccountable ('there's no accounting for taste') or, at the other extreme, with such prejudice that we elevate preferences to a religion. When we label something 'culture', we absolutize it: either as beyond critique ("culture is culture - it can't be wrong") or as a commitment to all or nothing ("love it or leave it"). Yet one could argue our preferences and how we engage culture constitute who we are. Stifling consideration of those things apart from abject acquiescence or sheer totalization merely says we aren't passionate enough about our convictions to think actively, or they are too fragile to permit it, or else the topics being addressed are unimportant. Case in point: even on things that are extremely serious at a survival level, we speak with a cautious moderation that suggests our concern is merely posture or even cynically hypothetical. Here you won't find circuitous mincing about. Asher Black goes off like a rocket. Whether you like what you hear or disagree, it will at least be MANHEARTED.
Know someone who doesn’t eat vegetables? Yeah, it’s a thing. “I’m a meat and potatoes man!” But Asher Black suspects it’s being scared of oysters, afraid of eggplant, aquiver at sushi, and creeped out by hummus. WTF is hummus?
Know someone who doesn’t eat vegetables? Yeah, it’s a thing. “I’m a meat and potatoes man!” But Asher Black suspects it’s being scared of oysters, afraid of eggplant, aquiver at sushi, and creeped out by hummus. WTF is hummus?
No one’s going to put you in a pen for your thoughts. Look around—neo-Confederates, Incel psychotics, Vaccine mythologizers, Nickelback fans, and Rudy Giuliani are all running wild and free. Asher Black asks, “Are you really ENTITLED to your beliefs?”
Man-groups, militias, boogaloo, proud boys, Qanon. There’s always an option to outsource our identity to some “Mantifa”. Truck w. a Harley sticker. Guy with Viking braids and Thor jewelry. Asher Black asks if we’re just scared to be originals.
In this extended Father’s Day episode, Asher doesn’t laud fathers (since that’s what everyone else is doing). Instead, he explores the mission of fatherhood to convey a child from uncertain youth to confident adulthood. And what can anyone do about it, if a father abdicates that responsibility?
Who’s a tough guy?—John Wick, Rambo, or Walt Kowalski (Gran Torino)? Asher makes the argument that the John Wick TYPE, while a fantasy meme for self-appointed warriors in general, is actually a wussified representation of their delicate disposition. These cultural icons are fundamentally different beings with a distinct ethos, and John Wick represents the sociopathic prig among us who is just as likely to participate in a mass shooting or overreact to a mask mandate. Asher also conflates Gran Torino w. El Camino (faux pas!).
A lot of us would like to go back and do things differently (learn guitar, study karate, skipper a boat) except, to start over we’d have to go back. Or do we? Asher cast shade on bucket lists, giving up, and getting old (in the sense of setting aside childhood dreams). He makes the case for telling “Dad” to go to Hell (if need be), relabelling 50 (if that’s us) the new 16, and getting off our ass to do something cool. Screw the midlife crisis. There’s a midlife awakening!
Asher introduces the rock music writings of non-traditional feminist Camille Paglia (in extenso). Quoted with interspersed commentary by Asher, Paglia’s paean to RAWK comes through, effectively “mansplained” by Asher (because just reading books on the air is not fair use). Asher underscores Paglia’s observation that one cannot simultaneously laud masculine energy and denigrate the experience out of which it arises. Paglia calls rock musicians “America’s most wasted natural resource.”
Asher invites guest and colleague Steve Pruneau to answer the question, “Will there ever be another David Bowie?” (or The Clash, Blondie, The Police, etc). Steve agrees to search for “good” 21st century version of classic rock music, and Asher bets hard against him. Inevitably “Free Bird” comes up, but also Mumford and Sons and Townes Van Zandt.
Asher wants to know why there’s no good contemporary rock music, why there’s not a current Led Zeppelin, Black Sabbath, Rush, or Pink Floyd. Comments on Classic Rock, Prog Rock, and music with balls. Asher argues something has changed, and it’s not just the ‘natural evolution’ that always happens, but a dilution from which you can’t get back to awesome.
Asher invites guest and colleague Steve Pruneau to comment on the “Talk Like a Man” episode. Asher shames modern movie dialogue and the cultural fad of avoiding words that contain commitments. In a world of indirect utterances, there are no tough guys, only understatements. Comments on Aaron Sorkin, Jerry Brown, Ed Rendell, and others.
Tired of circuitous speech, vocal fry, upspeak, endless qualifiers, and the word “like” in every sentence? Asher goes through examples of categorical speech from Mad Men, Humphrey Bogart movies, and Gone With the Wind. He calls for us to embrace rather than fear ManHearted communication. Asher argues current, fashionable speech patterns and fad-banter lacks heart, soul, and brains.
